SCENE CONTEXT A 30-second realistic AAA third-person stealth-action game sequence set in a Japanese …
Deskripsi
Prompt collected from YouMind; original author wording has not been independently verified.
Prompt lengkap
SCENE CONTEXT
A 30-second realistic AAA third-person stealth-action game sequence set in a Japanese corporate office at exactly 5:00 PM on a bright weekday afternoon. The player character, NAGI, has finished her work and must reach the elevator without being stopped by her boss and given another assignment.
ACTIVE REFERENCES
[@Image1] = NAGI’s facial identity, if a character reference is supplied. Use only her facial appearance as the identity reference; replace any school clothing and background with the adult office character and environment specified below.
NAGI: Japanese woman, 25, long straight black hair with blunt bangs, white short-sleeve office blouse, charcoal tailored trousers, black leather belt, white minimalist sneakers, employee ID clipped to her waistband, small black work tote held close to her body.
Voice: light, breathy adult female voice, speaking Japanese in a hushed whisper. Keep her face, hairstyle, outfit, proportions, and accessories identical throughout.
CAST SEPARATION
Four distinct adult office characters appear, each with a different silhouette, age, and hairstyle so they read as separate people:
TEAM LEADER: man in his 40s, 170 cm, average build, full head of short black hair parted at the side, thin metal-framed glasses, white dress shirt with a loosened navy tie. Appears only beside the first desk cluster, checking his watch.
PAPERWORK COWORKER: woman in her 20s, 160 cm, slim, brown hair in a high ponytail, beige cardigan over a white blouse, carrying a thick stack of printouts. Appears only in the printer aisle.
BOSS: man in his 60s, 160 cm, stout and round-shouldered, completely bald with a shiny scalp and a fringe of white hair above the ears, round gold-rimmed glasses, charcoal three-piece suit with a company lapel badge, carrying a blue assignment folder. Appears at the corridor T-junction and remains in that connected corridor during the whiteboard sequence.
OFFICE ASSISTANT: man in his early 30s, 182 cm, lean and broad-shouldered, thick full black hair swept back, short beard, navy shirt with rolled sleeves, dark trousers, no glasses. Pushes the mobile whiteboard from the meeting-room alcove toward the elevator lobby.
The BOSS is the only bald character in the entire video. The OFFICE ASSISTANT keeps a full head of thick black hair and a beard, stands more than 20 cm taller than the BOSS, and is clearly a different, much younger man.
LOCATION MAP
One unbroken spatial route the camera travels with her:
Her workstation → low desk partition → printer aisle → corridor T-junction → meeting-room alcove with mobile whiteboard → elevator lobby → elevator interior.
Keep the route compact and physically traversable within the 27-second continuous section.
Foreground: polished linoleum floor, office desks, steel filing cabinets, rolling chairs, and reflective glass meeting-room partitions.
Background: window wall on camera-right overlooking neighboring office buildings, dust suspended in the sunbeams. Light enters from camera-right along the office route.
ELEVATOR GEOMETRY
The elevator entrance is at the end of the office corridor. The call button is on the wall beside the entrance. The elevator is empty when NAGI enters.
Inside the elevator: brushed-metal rear wall, side handrails, softly illuminated ceiling, control panel beside the doorway. No rear exit and no mirror creating a second NAGI.
NAGI enters facing the rear wall, then turns to face the open elevator doors.
For the final reverse shot, the camera is positioned INSIDE the elevator, immediately beside the doorway, looking inward at NAGI. The brushed-metal rear wall is behind her. The elevator doors close behind the camera, allowing her face to remain visible throughout the final shot.
FIRST FRAME / BLOCKING
First frame is already in motion: NAGI darts in from lower-left toward camera-right, work tote clutched to her chest, and drops into a crouch-slide behind a low desk partition beside her workstation.
Camera behind her right shoulder. Game HUD fully visible from frame one.
A small desk clock reads 17:00.
FORMAT MODE
One continuous unbroken take from 0.0s to 27.0s with no cuts of any kind, then a single HARD CUT at 27.0s to one final locked reverse shot that runs to 30.0s.
Exactly one cut exists in the whole video, at 27.0s. The camera does not cut anywhere else.
OPTICS
One lens for the continuous section: 47° third-person over-the-shoulder framing as the baseline, breathing in to 29° on reaction beats and out to 63° for the boss encounter and moving-whiteboard concealment.
All FOV changes in that section happen as smooth continuous zoom breathing, never as a jump.
The final shot after the cut is a fixed 29° frontal framing of NAGI, no drift.
CAMERA
For the continuous section, the camera is a physical object flying with her.
Chest-height, 1.5 meters behind NAGI, slightly camera-right of her spine, swinging with a soft spring delay half a beat behind her turns like an analog-stick gameplay camera.
It dips to knee height when she crouches, rises when she stands, slides sideways along the filing cabinets with her, swings wide to corridor-left to reveal the boss encounter, drifts behind her for the moving whiteboard, and follows her through the open elevator doorway.
The camera travels through open space around desks and partitions. It never clips through furniture, walls, the whiteboard, or elevator doors.
After the cut, the camera is repositioned inside the elevator beside the doorway, looking inward at NAGI — locked off, eye level, completely static, no movement.
ACTION
[Beat 1 — 0.0s to 6.0s]
NAGI crouch-slides behind the low desk partition, back flat against it, chest heaving. She leans out 20 cm to peek at the TEAM LEADER checking his watch beside the adjacent desk cluster, then pulls back.
She whispers in Japanese:
{定時だ…捕まったら終わり。}
HUD flashes 【5:00 PM — SHIFT OVER】 and the mission banner 【OBJECTIVE: REACH THE ELEVATOR UNDETECTED】.
The TEAM LEADER turns toward a ringing desk phone. NAGI slips behind his back, staying below the desk-partition line, and moves into the printer aisle.
The camera follows without stopping.
[Beat 2 — 6.0s to 12.0s]
The camera stays with her beside the steel filing cabinets.
NAGI presses her spine flat against the cabinets and shuffles sideways at 2 km/h, sneakers rolling heel-to-toe in silence. The camera tracks sideways with her at the same speed.
The PAPERWORK COWORKER walks past the end of the row carrying a thick stack of printouts, scanning the office for someone available to help.
NAGI holds her breath, pupils tracking the coworker without moving her head, and whispers:
{来ないで…こっち見ないで。}
The minimap vision cone sweeps past NAGI’s marker and turns away.
HUD shows 【SNEAKING MODE】.
The PAPERWORK COWORKER exits frame-left. NAGI exhales, crouches beneath the edge of the last desk, and slips into the corridor with the camera still on her shoulder.
[Beat 3 — 12.0s to 18.0s]
The BOSS steps around the T-junction two meters in front of her, blue assignment folder in hand.
He catches a brief glimpse of movement. A red exclamation marker snaps above his bald head with a sharp alert sting. The HUD edge pulses red: 【ALERT】.
He starts saying in Japanese:
{なぎさん、追加の仕事が…}
The camera swings wide to corridor-left as NAGI reacts in one motion: hugs her tote tightly against her ribs, drops below his eye line, pivots around the corner of a tall filing cabinet, and slips into the adjacent meeting-room alcove.
The cabinet fully blocks his view before he can finish approaching her.
She whispers:
{今だけは無理…！}
HUD prints 【EVASIVE MANEUVER】 and 【BREAK LINE OF SIGHT】.
The BOSS takes a step toward the place where he last saw her, looking around the cabinet. NAGI has already moved to the far side of a mobile whiteboard in the alcove.
The camera falls in behind her again.
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